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	<title>Yutaka Kikutake Gallery &#187; Projects</title>
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	<link>https://www.yutakakikutakegallery.com</link>
	<description>Yutaka Kikutake Gallery は、2015年7月に東京都港区六本木にて開廊。現代美術の表現形態が多様化し、美術が紡ぐ歴史の在り方も魅力を深めていくなか、さらに新しい表現を切り開くアーティストの活動をサポートすることを目的として運営されます。</description>
	<lastBuildDate>Wed, 13 May 2026 03:14:58 +0000</lastBuildDate>
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		<title>向山喜章 2024 「Marsmoonveeda 120」</title>
		<link>https://www.yutakakikutakegallery.com/projects/%e5%90%91%e5%b1%b1%e5%96%9c%e7%ab%a0-2024-%e3%80%8cmarsmoonveeda-120%e3%80%8d/</link>
		<comments>https://www.yutakakikutakegallery.com/projects/%e5%90%91%e5%b1%b1%e5%96%9c%e7%ab%a0-2024-%e3%80%8cmarsmoonveeda-120%e3%80%8d/#comments</comments>
		<pubDate>Wed, 24 Jul 2024 03:31:44 +0000</pubDate>
		<dc:creator><![CDATA[ykg]]></dc:creator>
		
		<guid isPermaLink="false">https://www.yutakakikutakegallery.com/?post_type=projects&#038;p=4713</guid>
		<description><![CDATA[Sorry, this entry is only available in Japanese. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.向山喜章の作品が、静岡県・三島の加和太建設本社に設置されました。 自然光が溢れる開放的な曲線美が際立つ空間は、西沢立衛氏による設計です。 &#160; 「時空にひかり」 &#160; 時は 即ち場に在る &#160; 時間と空間にはそれぞれに　間（ま）というものがあり 絶妙な間があるところに 清らかな機会は立ち 美しき空間を持って　縁（えん）の尊さを知る &#160; 紺碧（こんぺき）に耀く　三島の空と山海に際立つ あたらしきこの時空に　ひかりのご縁を賜りました &#160; 八方へ広がる満月の和を軌道にのせ　悠久の弥栄（いやさか） わたしは祈っています &#160; 向山喜章 &#160; Marsmoonveeda 120, 2023 Courtesy of the artist, Kawata Construction Co., Ltd., Yutaka Kikutake Gallery]]></description>
				<content:encoded><![CDATA[<p class="qtranxs-available-languages-message qtranxs-available-languages-message-en">Sorry, this entry is only available in <a href="https://www.yutakakikutakegallery.com/ja/projects/feed/" class="qtranxs-available-language-link qtranxs-available-language-link-ja" title="JP">Japanese</a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.</p><p>向山喜章の作品が、静岡県・三島の加和太建設本社に設置されました。</p>
<p>自然光が溢れる開放的な曲線美が際立つ空間は、西沢立衛氏による設計です。</p>
<p>&nbsp;</p>
<p>「時空にひかり」</p>
<p>&nbsp;</p>
<p>時は 即ち場に在る</p>
<p>&nbsp;</p>
<p>時間と空間にはそれぞれに　間（ま）というものがあり</p>
<p>絶妙な間があるところに 清らかな機会は立ち</p>
<p>美しき空間を持って　縁（えん）の尊さを知る</p>
<p>&nbsp;</p>
<p>紺碧（こんぺき）に耀く　三島の空と山海に際立つ</p>
<p>あたらしきこの時空に　ひかりのご縁を賜りました</p>
<p>&nbsp;</p>
<p>八方へ広がる満月の和を軌道にのせ　悠久の弥栄（いやさか）</p>
<p>わたしは祈っています</p>
<p>&nbsp;</p>
<p>向山喜章</p>
<p>&nbsp;</p>
<p class="p1"><span class="s1">Marsmoonveeda 120, 2023</span></p>
<p class="p1"><span class="s1">Courtesy of the artist, Kawata Construction Co., Ltd., Yutaka Kikutake Gallery</span></p>
<p class="p1"></p>]]></content:encoded>
			<wfw:commentRss>https://www.yutakakikutakegallery.com/projects/%e5%90%91%e5%b1%b1%e5%96%9c%e7%ab%a0-2024-%e3%80%8cmarsmoonveeda-120%e3%80%8d/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>向山喜章 2024 「ONE DOJIMA PROJECT」</title>
		<link>https://www.yutakakikutakegallery.com/projects/%e5%90%91%e5%b1%b1%e5%96%9c%e7%ab%a0-2024-%e3%80%8cone-dojima-project%e3%80%8d/</link>
		<comments>https://www.yutakakikutakegallery.com/projects/%e5%90%91%e5%b1%b1%e5%96%9c%e7%ab%a0-2024-%e3%80%8cone-dojima-project%e3%80%8d/#comments</comments>
		<pubDate>Wed, 24 Jul 2024 03:29:50 +0000</pubDate>
		<dc:creator><![CDATA[ykg]]></dc:creator>
		
		<guid isPermaLink="false">https://www.yutakakikutakegallery.com/?post_type=projects&#038;p=4725</guid>
		<description><![CDATA[Sorry, this entry is only available in Japanese. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.「ONE DOJIMA PROJECT」の一環として向山喜章の作品がbrillia tower 堂島に恒久設置されました。 &#160; 「Vegalet 30 - 色層の時空」 &#160; 色とは光のことであり 新しき光りは空間と心を照らす わたしのマテリアルは 時間をかけた色彩が奏でる静謐で艶やかなハーモニーであり 隣り合うカラートーンは互いに響き合いながら美と手を結び時に空間を浄化し独自の調和をもたらす 素材とは無垢なることがその魅力であるが 作品「Vegalet 30」は色相と設計が幾重にもあって 何色にも姿を与えながら人々の魂を眩く深く 夢照らすのである &#160; 向山喜章 &#160; https://www.bt-dojima.com/creater/ &#160; Vegalet 30, 2019 Candluminous - N / BG, S / R, W / OY, E / Y, 2023 &#160; Photo Yasushi Ichikawa Courtesy of the artist, N&#38;A Inc., Yutaka Kikutake Gallery]]></description>
				<content:encoded><![CDATA[<p class="qtranxs-available-languages-message qtranxs-available-languages-message-en">Sorry, this entry is only available in <a href="https://www.yutakakikutakegallery.com/ja/projects/feed/" class="qtranxs-available-language-link qtranxs-available-language-link-ja" title="JP">Japanese</a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.</p><p>「ONE DOJIMA PROJECT」の一環として向山喜章の作品がbrillia tower 堂島に恒久設置されました。</p>
<p>&nbsp;</p>
<p>「Vegalet 30 - 色層の時空」</p>
<p>&nbsp;</p>
<p>色とは光のことであり 新しき光りは空間と心を照らす</p>
<p>わたしのマテリアルは 時間をかけた色彩が奏でる静謐で艶やかなハーモニーであり</p>
<p>隣り合うカラートーンは互いに響き合いながら美と手を結び時に空間を浄化し独自の調和をもたらす</p>
<p>素材とは無垢なることがその魅力であるが 作品「Vegalet 30」は色相と設計が幾重にもあって</p>
<p>何色にも姿を与えながら人々の魂を眩く深く 夢照らすのである</p>
<p>&nbsp;</p>
<p>向山喜章</p>
<p>&nbsp;</p>
<p><a href="https://www.bt-dojima.com/creater/">https://www.bt-dojima.com/creater/</a></p>
<p>&nbsp;</p>
<p>Vegalet 30, 2019</p>
<p>Candluminous - N / BG, S / R, W / OY, E / Y, 2023</p>
<p>&nbsp;</p>
<p>Photo Yasushi Ichikawa</p>
<p>Courtesy of the artist, N&amp;A Inc., Yutaka Kikutake Gallery</p>]]></content:encoded>
			<wfw:commentRss>https://www.yutakakikutakegallery.com/projects/%e5%90%91%e5%b1%b1%e5%96%9c%e7%ab%a0-2024-%e3%80%8cone-dojima-project%e3%80%8d/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>三瓶玲奈「そこにある光 / 降り注ぐ光 / またたく光」</title>
		<link>https://www.yutakakikutakegallery.com/projects/bleublanc/</link>
		<comments>https://www.yutakakikutakegallery.com/projects/bleublanc/#comments</comments>
		<pubDate>Fri, 04 Oct 2019 06:07:07 +0000</pubDate>
		<dc:creator><![CDATA[ykg]]></dc:creator>
		
		<guid isPermaLink="false">http://www.yutakakikutakegallery.com/?post_type=projects&#038;p=1752</guid>
		<description><![CDATA[Sorry, this entry is only available in Japanese. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.愛知県岡崎市の結婚式場・Bleu Blancの会場内に三瓶玲奈のペインティングが設置されました。 この場所に溢れる光や窓から見える風景をモチーフに会場に合わせて制作された作品たちです。]]></description>
				<content:encoded><![CDATA[<p class="qtranxs-available-languages-message qtranxs-available-languages-message-en">Sorry, this entry is only available in <a href="https://www.yutakakikutakegallery.com/ja/projects/feed/" class="qtranxs-available-language-link qtranxs-available-language-link-ja" title="JP">Japanese</a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.</p><p>愛知県岡崎市の結婚式場・Bleu Blancの会場内に三瓶玲奈のペインティングが設置されました。</p>
<p>この場所に溢れる光や窓から見える風景をモチーフに会場に合わせて制作された作品たちです。</p>]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Yufuin sanso warabino</title>
		<link>https://www.yutakakikutakegallery.com/projects/yufuin-sanso-warabino/</link>
		<comments>https://www.yutakakikutakegallery.com/projects/yufuin-sanso-warabino/#comments</comments>
		<pubDate>Tue, 20 Aug 2019 06:54:13 +0000</pubDate>
		<dc:creator><![CDATA[ykg]]></dc:creator>
		
		<guid isPermaLink="false">http://www.yutakakikutakegallery.com/?post_type=projects&#038;p=1618</guid>
		<description><![CDATA[“Sanso Warabino” in Yufuin, which had long been closed down due to the effects of the Kumamoto Earthquake, celebrated its reopening in February 2019. The works of Nerhol, Seiichiro Osa, Kouichi Tabata, and Reina Mikame are installed in the 13 guestrooms within the seven accommodation buildings that are dotted across a vast site of approximately 11570㎡ in correspondence to the surrounding scenery. &#160; &#160; Sanso Warabino http://www.warabino.net/]]></description>
				<content:encoded><![CDATA[<p>“Sanso Warabino” in Yufuin, which had long been closed down due to the effects of the Kumamoto Earthquake, celebrated its reopening in February 2019. The works of Nerhol, Seiichiro Osa, Kouichi Tabata, and Reina Mikame are installed in the 13 guestrooms within the seven accommodation buildings that are dotted across a vast site of approximately 11570㎡ in correspondence to the surrounding scenery. </p>
<p>&nbsp;</p>
<hr />
<p>&nbsp;</p>
<p>Sanso Warabino</p>
<p><a href="http://www.warabino.net/" target="_blank">http://www.warabino.net/</a></p>]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Kisho Mwkaiyama 2018-19 &quot;Vendarta 100- Six Elements and the Seasons&quot;</title>
		<link>https://www.yutakakikutakegallery.com/projects/mandalay-bay-convention-center-las-vegas/</link>
		<comments>https://www.yutakakikutakegallery.com/projects/mandalay-bay-convention-center-las-vegas/#comments</comments>
		<pubDate>Sat, 20 Jul 2019 13:06:51 +0000</pubDate>
		<dc:creator><![CDATA[ykg]]></dc:creator>
		
		<guid isPermaLink="false">http://www.yutakakikutakegallery.com/?post_type=projects&#038;p=1656</guid>
		<description><![CDATA[Kisho Mwkaiyama participated in the Artist in Residence program of MGM Resorts Art &#038; Culture for half a year from the summer of 2018, and produced works in an open studio set up in the Bellagio Hotel in Las Vegas. “Vendarta 100- Six Elements and the Seasons,” a major work consisting of 24 paintings, which was conceived during his residency, is now permanently installed in the Mandalay Bay Convention Center.]]></description>
				<content:encoded><![CDATA[<p>Kisho Mwkaiyama participated in the Artist in Residence program of MGM Resorts Art &#038; Culture for half a year from the summer of 2018, and produced works in an open studio set up in the Bellagio Hotel in Las Vegas. “Vendarta 100- Six Elements and the Seasons,” a major work consisting of 24 paintings, which was conceived during his residency, is now permanently installed in the Mandalay Bay Convention Center.]]></content:encoded>
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		<item>
		<title>Norimichi Hirakawa「C」2018</title>
		<link>https://www.yutakakikutakegallery.com/projects/%e5%b9%b3%e5%b7%9d%e7%b4%80%e9%81%93-%e3%80%8cc%e3%80%8d2018-%e3%82%a2%e3%83%b3%e3%83%80%e3%83%bc%e3%83%87%e3%82%b6%e3%82%a4%e3%83%b3%e6%a0%aa%e5%bc%8f%e4%bc%9a%e7%a4%be-%e5%90%8d%e5%8f%a4%e5%b1%8b/</link>
		<comments>https://www.yutakakikutakegallery.com/projects/%e5%b9%b3%e5%b7%9d%e7%b4%80%e9%81%93-%e3%80%8cc%e3%80%8d2018-%e3%82%a2%e3%83%b3%e3%83%80%e3%83%bc%e3%83%87%e3%82%b6%e3%82%a4%e3%83%b3%e6%a0%aa%e5%bc%8f%e4%bc%9a%e7%a4%be-%e5%90%8d%e5%8f%a4%e5%b1%8b/#comments</comments>
		<pubDate>Mon, 27 May 2019 05:03:12 +0000</pubDate>
		<dc:creator><![CDATA[ykg]]></dc:creator>
		
		<guid isPermaLink="false">http://www.yutakakikutakegallery.com/?post_type=projects&#038;p=1688</guid>
		<description><![CDATA[Norimichi Hirakawa’s work is permanently installed in the Nagoya office of under design co., ltd. “C” is a video work that changes its appearance every second while being linked in real-time to the weather information of the exhibition site. The work can also be viewed from the street, through the office building’s glass façade.]]></description>
				<content:encoded><![CDATA[<p>Norimichi Hirakawa’s work is permanently installed in the Nagoya office of under design co., ltd. </p>
<p>“C” is a video work that changes its appearance every second while being linked in real-time to the weather information of the exhibition site. </p>
<p>The work can also be viewed from the street, through the office building’s glass façade.]]></content:encoded>
			<wfw:commentRss>https://www.yutakakikutakegallery.com/projects/%e5%b9%b3%e5%b7%9d%e7%b4%80%e9%81%93-%e3%80%8cc%e3%80%8d2018-%e3%82%a2%e3%83%b3%e3%83%80%e3%83%bc%e3%83%87%e3%82%b6%e3%82%a4%e3%83%b3%e6%a0%aa%e5%bc%8f%e4%bc%9a%e7%a4%be-%e5%90%8d%e5%8f%a4%e5%b1%8b/feed/</wfw:commentRss>
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