Nate Antolik, Diana Cepleanu, Gregory Olympio, Nobuya Hitsuda, Yuki Katsura, Mai Takeshita

The Quiet

Upcoming
Kyobashi
November 4 (Wed) - December 12 (Sat), 2026
11:00 - 19:00 Closed on Sun, Mon and National Holidays

*We will be open from 10:00 to 19:00, November 4–8, during Art Week Tokyo.

New York–based curator and advisor Augusto Arbizo proposes a thematic group exhibition for Yutaka Kikutane - titled The Quiet. Bringing together a small group of international artists in dialogue with three Japanese painters, Yuki Katsura, Nobuya Hitsuda, and Mai Takeshita, the exhibition stages an intergenerational conversation centered on painting practices that privilege observation, restraint, and stillness. Across distinct geographies and sensibilities, these artists foreground the act of looking as both method and subject — a sustained attentiveness to humble subjects that is slow and deliberate.

Rooted in the primary act of looking, the artists in The Quiet turn inward, seeking something felt rather than asserted. Figuration, still life, and landscape—though formally restrained and deceptively simple—carry the weight of contemplation. Their images of the everyday, from faces and interiors to scenes of nature, possess a hushed presence, inviting viewers to look carefully and patiently, as though the images themselves might recede or dissolve. In a heightened and accelerated visual culture, The Quiet offers a space for slowing down, perhaps to tune out, allowing for an encounter defined by sustained attention and quiet concentration.


Working across distinct geographies and sensibilities, the artists foreground the primary act of looking as both method and subject in practicing a deliberate, sustained attentiveness to humble subjects. In doing so, they turn inward, seeking something felt rather than asserted. Figuration, still life, and landscape—though formally restrained and deceptively simple—carry the weight of contemplation. Their images of the everyday, ranging from faces and interiors to natural environments, possess a hushed presence, inviting viewers to look carefully and patiently, as though anticipating that the images might recede or dissolve.

Amid today’s heightened and accelerated visual culture, “The Quiet” offers a space for slowing down, or perhaps even tuning out, allowing for an encounter defined by quiet concentration.

—August Arbizo

Gregory Olympio “Le Plancher des Vaches”, 2025
Acrylic on canvas, 35.5 x 45.5 x 3.5 cm

Diana Cepleanu"The Flower of the Bride", 1998
Oil on wooden panel, collage
61 x 60 x 1.8 cm / framed 66 x 66 x 4.5 cm

Nate Antolik“Cup, Knife, Mirror”, 2024
Oil on linen, 23 × 30.5 cm

Mai Takeshita“After the Dinner”, 2025
Dyed mud pigment, mineral pigment, color pencil, and nikawa (animal glue) on cotton canvas, 32 x 32 cm